Ross Douthat
April 24, 2011
The New York Times
Here’s a revealing snapshot of religion in America. On Easter Sunday, two of the top three books on Amazon.com’s Religion and Spirituality best-seller list mapped the geography of the afterlife. One was “Heaven Is for Real: A Little Boy’s Astounding Story of His Trip to Heaven and Back,” an account of a 4-year-old’s near-death experience as dictated to his pastor father. The other was “Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived,” in which the evangelical preacher Rob Bell argues that hell might not exist.
The publishing industry knows its audience. Even in our supposedly disenchanted age, large majorities of Americans believe in God and heaven, miracles and prayer. But belief in hell lags well behind, and the fear of damnation seems to have evaporated. Near-death stories are reliable sellers: There’s another book about a child’s return from paradise, “The Boy Who Came Back From Heaven,” just a little further down the Amazon rankings. But you’ll search the best-seller list in vain for “The Investment Banker Who Came Back From Hell.”
In part, hell’s weakening grip on the religious imagination is a consequence of growing pluralism. Bell’s book begins with a provocative question: Are Christians required to believe that Gandhi is in hell for being Hindu? The mahatma is a distinctive case, but swap in “my Hindu/Jewish/Buddhist neighbor” for Gandhi, and you can see why many religious Americans find the idea of eternal punishment for wrong belief increasingly unpalatable.
But the more important factor in hell’s eclipse, perhaps, is a peculiar paradox of modernity. As our lives have grown longer and more comfortable, our sense of outrage at human suffering — its scope, and its apparent randomness — has grown sharper as well. The argument that a good deity couldn’t have made a world so rife with cruelty is a staple of atheist polemic, and every natural disaster inspires a round of soul-searching over how to reconcile with God’s omnipotence with human anguish.
These debates ensure that earthly infernos get all the press. Hell means the Holocaust, the suffering in Haiti, and all the ordinary “hellmouths” (in the novelist Norman Rush’s resonant phrase) that can open up beneath our feet. And if it’s hard for the modern mind to understand why a good God would allow such misery on a temporal scale, imagining one who allows eternal suffering seems not only offensive but absurd.
Doing away with hell, then, is a natural way for pastors and theologians to make their God seem more humane. The problem is that this move also threatens to make human life less fully human.
Atheists have license to scoff at damnation, but to believe in God and not in hell is ultimately to disbelieve in the reality of human choices. If there’s no possibility of saying no to paradise then none of our no’s have any real meaning either. They’re like home runs or strikeouts in a children’s game where nobody’s keeping score.
In this sense, a doctrine of universal salvation turns out to be as deterministic as the more strident forms of scientific materialism. Instead of making us prisoners of our glands and genes, it makes us prisoners of God himself. We can check out any time we want, but we can never really leave.
The doctrine of hell, by contrast, assumes that our choices are real, and, indeed, that we are the choices that we make. The miser can become his greed, the murderer can lose himself inside his violence, and their freedom to turn and be forgiven is inseparable from their freedom not to do so.
As Anthony Esolen writes, in the introduction to his translation of Dante’s “Inferno,” the idea of hell is crucial to Western humanism. It’s a way of asserting that “things have meaning” — that earthly life is more than just a series of unimportant events, and that “the use of one man’s free will, at one moment, can mean life or death ... salvation or damnation.”
If there’s a modern-day analogue to the “Inferno,” a work of art that illustrates the humanist case for hell, it’s David Chase’s “The Sopranos.” The HBO hit is a portrait of damnation freely chosen: Chase made audiences love Tony Soprano, and then made us watch as the mob boss traveled so deep into iniquity — refusing every opportunity to turn back — that it was hard to imagine him ever coming out. “The Sopranos” never suggested that Tony was beyond forgiveness. But, by the end, it suggested that he was beyond ever genuinely asking for it.
Is Gandhi in hell? It’s a question that should puncture religious chauvinism and unsettle fundamentalists of every stripe. But there’s a question that should be asked in turn: Is Tony Soprano really in heaven?
April 24, 2011
The New York Times
Here’s a revealing snapshot of religion in America. On Easter Sunday, two of the top three books on Amazon.com’s Religion and Spirituality best-seller list mapped the geography of the afterlife. One was “Heaven Is for Real: A Little Boy’s Astounding Story of His Trip to Heaven and Back,” an account of a 4-year-old’s near-death experience as dictated to his pastor father. The other was “Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived,” in which the evangelical preacher Rob Bell argues that hell might not exist.
The publishing industry knows its audience. Even in our supposedly disenchanted age, large majorities of Americans believe in God and heaven, miracles and prayer. But belief in hell lags well behind, and the fear of damnation seems to have evaporated. Near-death stories are reliable sellers: There’s another book about a child’s return from paradise, “The Boy Who Came Back From Heaven,” just a little further down the Amazon rankings. But you’ll search the best-seller list in vain for “The Investment Banker Who Came Back From Hell.”
In part, hell’s weakening grip on the religious imagination is a consequence of growing pluralism. Bell’s book begins with a provocative question: Are Christians required to believe that Gandhi is in hell for being Hindu? The mahatma is a distinctive case, but swap in “my Hindu/Jewish/Buddhist neighbor” for Gandhi, and you can see why many religious Americans find the idea of eternal punishment for wrong belief increasingly unpalatable.
But the more important factor in hell’s eclipse, perhaps, is a peculiar paradox of modernity. As our lives have grown longer and more comfortable, our sense of outrage at human suffering — its scope, and its apparent randomness — has grown sharper as well. The argument that a good deity couldn’t have made a world so rife with cruelty is a staple of atheist polemic, and every natural disaster inspires a round of soul-searching over how to reconcile with God’s omnipotence with human anguish.
These debates ensure that earthly infernos get all the press. Hell means the Holocaust, the suffering in Haiti, and all the ordinary “hellmouths” (in the novelist Norman Rush’s resonant phrase) that can open up beneath our feet. And if it’s hard for the modern mind to understand why a good God would allow such misery on a temporal scale, imagining one who allows eternal suffering seems not only offensive but absurd.
Doing away with hell, then, is a natural way for pastors and theologians to make their God seem more humane. The problem is that this move also threatens to make human life less fully human.
Atheists have license to scoff at damnation, but to believe in God and not in hell is ultimately to disbelieve in the reality of human choices. If there’s no possibility of saying no to paradise then none of our no’s have any real meaning either. They’re like home runs or strikeouts in a children’s game where nobody’s keeping score.
In this sense, a doctrine of universal salvation turns out to be as deterministic as the more strident forms of scientific materialism. Instead of making us prisoners of our glands and genes, it makes us prisoners of God himself. We can check out any time we want, but we can never really leave.
The doctrine of hell, by contrast, assumes that our choices are real, and, indeed, that we are the choices that we make. The miser can become his greed, the murderer can lose himself inside his violence, and their freedom to turn and be forgiven is inseparable from their freedom not to do so.
As Anthony Esolen writes, in the introduction to his translation of Dante’s “Inferno,” the idea of hell is crucial to Western humanism. It’s a way of asserting that “things have meaning” — that earthly life is more than just a series of unimportant events, and that “the use of one man’s free will, at one moment, can mean life or death ... salvation or damnation.”
If there’s a modern-day analogue to the “Inferno,” a work of art that illustrates the humanist case for hell, it’s David Chase’s “The Sopranos.” The HBO hit is a portrait of damnation freely chosen: Chase made audiences love Tony Soprano, and then made us watch as the mob boss traveled so deep into iniquity — refusing every opportunity to turn back — that it was hard to imagine him ever coming out. “The Sopranos” never suggested that Tony was beyond forgiveness. But, by the end, it suggested that he was beyond ever genuinely asking for it.
Is Gandhi in hell? It’s a question that should puncture religious chauvinism and unsettle fundamentalists of every stripe. But there’s a question that should be asked in turn: Is Tony Soprano really in heaven?